The final 24 hours of Flash's death clock seem like a good occasion to think about the non-linear nature of art-making tool development. I suppose I'm a technological determinist, and the larger forces that hashed out browser standards--nurturing Flash for a time, and then abruptly extinguishing it--don't seem all that historically different from, for example, the 1979 global silver shortage, which by suddenly raising the price of film stock greatly accelerated the shift to video.